poor shadows of elysium

All this happened, more or less. The war parts, anyway, are pretty much true.
~ Monday, June 17 ~
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Sonnet 100, William Shakespeare

Where art thou, Muse, that thou forget’st so long
To speak of that which gives thee all thy might?
Spend’st thou thy fury on some worthless song,
Darkening thy power to lend base subjects light?
Return, forgetful Muse, and straight redeem
In gentle numbers time so idly spent;
Sing to the ear that doth thy lays esteem
And gives thy pen both skill and argument.
Rise, resty Muse, my love’s sweet face survey,
If Time have any wrinkle graven there;
If any, be a satire to decay,
And make Time’s spoils despised every where.
   Give my love fame faster than Time wastes life;
   So thou prevent’st his scythe and crooked knife.


1 note
~ Monday, May 13 ~
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jothelibrarian:

Pretty medieval manuscript of the day is a girdle book. This book, a philosophical tract by Boetheius (the consolation of philosophy), was bound in such a way that it was possible to tie it to the owner’s girdle (belt) and refer to it throughout the day. Although the book and the binding date from the fifteenth century, the catalogue record suggests this is not the original binding. The book is thought to have originated in England, but the binding is Dutch or German, and the book is now in America at Yale University’s Beinecke Library. What travels it has had!
Image source: Beinecke MS 84. Creative Commons licensed via Flickr.

jothelibrarian:

Pretty medieval manuscript of the day is a girdle book. This book, a philosophical tract by Boetheius (the consolation of philosophy), was bound in such a way that it was possible to tie it to the owner’s girdle (belt) and refer to it throughout the day. Although the book and the binding date from the fifteenth century, the catalogue record suggests this is not the original binding. The book is thought to have originated in England, but the binding is Dutch or German, and the book is now in America at Yale University’s Beinecke Library. What travels it has had!

Image source: Beinecke MS 84. Creative Commons licensed via Flickr.


257 notes
reblogged via morganathewitch
~ Sunday, April 28 ~
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hollowcrownfans:

Tom Hiddleston in Cheek By Jowl’s Cymbeline

Follow us on Twitter @hollowcrownfans


229 notes
reblogged via alwaysiambic
~ Saturday, April 27 ~
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saltforsalt:

Gustaf Skarsgård in Katrine Wiedemann’s production of Hamlet


129 notes
reblogged via shakespeareishq
~ Tuesday, April 23 ~
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oldbookillustrations:

The death as enemy (1847). The plague making its first appearance at a masquerade at Paris in 1831.
A. Rethel, from Alfred Rethel; des Meisters Werke (Alfred Rethel, the master works), by Josef Ponten, Stuttgard & Leipzig, 1911.
(Source: archive.org)

oldbookillustrations:

The death as enemy (1847). The plague making its first appearance at a masquerade at Paris in 1831.

A. Rethel, from Alfred Rethel; des Meisters Werke (Alfred Rethel, the master works), by Josef Ponten, Stuttgard & Leipzig, 1911.

(Source: archive.org)


1,221 notes
reblogged via oldbookillustrations
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thatferrybroad:

wliabl:

Cleopatra’s Underwater Palace, Egypt 

I still don’t get why no one is LOSING THEIR FUCKING SHIT OVER THIS FIND
iT SURVIVED THE EARTHQUAKE THAT LEVELED THE REST OF THE CITY IN 365 A.D. 
CLEOPATRA’S FUCKING PALACE
WITH INTACT FUCKING STATUARY
NOT TO MENTION THE REST OF THE FUCKING ENTIRE GODDAMN ISLAND OF ANTIRRHODOS INCLUDING THE ANCIENT PORT OF ALEXANDRIA

thatferrybroad:

wliabl:

Cleopatra’s Underwater Palace, Egypt 

I still don’t get why no one is LOSING THEIR FUCKING SHIT OVER THIS FIND

iT SURVIVED THE EARTHQUAKE THAT LEVELED THE REST OF THE CITY IN 365 A.D. 

CLEOPATRA’S FUCKING PALACE

WITH INTACT FUCKING STATUARY

NOT TO MENTION THE REST OF THE FUCKING ENTIRE GODDAMN ISLAND OF ANTIRRHODOS INCLUDING THE ANCIENT PORT OF ALEXANDRIA


182,819 notes
reblogged via morganathewitch
~ Sunday, April 21 ~
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vintageanchorbooks:


From Ben Kingsley, James Earl Jones, Jane Smiley, Margaret Drabble, Camille Paglia, Julie Taymor, and many others of his heirs onstage and on the page—37 essays about why we still love Shakespeare. Performers and creative writers are Shakespeare’s most direct inheritors today—the ones who engage with his work as a living legacy to be performed, adapted, responded to, or interacted with, and not only to be read or dissected by scholars. Editor Susannah Carson has invited a wide range of people in these lines of work (and a few notable scholars as well) to reflect on why Shakespeare is such a vital part of our culture or more specifically on their own engagement with the Bard. Essays include Julie Taymor on turning Prospero into Prospera, Camille Paglia on teaching Shakespeare to actors, F. Murray Abraham on gaining an audience’s sympathy for Shylock, Germaine Greer on the Bard’s home life, and Jane Smiley on transposing King Lear to Iowa in A Thousand Acres. Read the first chapter here: http://ow.ly/kfbxs

vintageanchorbooks:

From Ben Kingsley, James Earl Jones, Jane Smiley, Margaret Drabble, Camille Paglia, Julie Taymor, and many others of his heirs onstage and on the page—37 essays about why we still love Shakespeare. Performers and creative writers are Shakespeare’s most direct inheritors today—the ones who engage with his work as a living legacy to be performed, adapted, responded to, or interacted with, and not only to be read or dissected by scholars. Editor Susannah Carson has invited a wide range of people in these lines of work (and a few notable scholars as well) to reflect on why Shakespeare is such a vital part of our culture or more specifically on their own engagement with the Bard. Essays include Julie Taymor on turning Prospero into Prospera, Camille Paglia on teaching Shakespeare to actors, F. Murray Abraham on gaining an audience’s sympathy for Shylock, Germaine Greer on the Bard’s home life, and Jane Smiley on transposing King Lear to Iowa in A Thousand Acres.

Read the first chapter here: http://ow.ly/kfbxs


55 notes
reblogged via vintageanchorbooks
~ Thursday, April 18 ~
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599 notes
reblogged via thewarriorsprayer
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(Source: vitoria-vichi)


995 notes
reblogged via morganathewitch
~ Sunday, April 14 ~
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everythingscenic:

Dog in the Manger. Alexander Dodge.

everythingscenic:

Dog in the Manger. Alexander Dodge.


7 notes
reblogged via everythingscenic
~ Thursday, April 11 ~
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art-of-swords:

Sword Photography 

  • Model/Actress: Nicole Leigh Jones
  • Copyright: © Photographer Gayla Partridge

Nicole Leigh Jones as Victoria Celestine. Photoshoot for the film Shroud (2013) - Independent Gothic Western.

Source: © Jetrefilm Entertainment LLC


4,055 notes
reblogged via art-of-swords
~ Sunday, March 24 ~
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allthingseurope:

Gloucester Cathedral, UK (by Roland Shainidze)

allthingseurope:

Gloucester Cathedral, UK (by Roland Shainidze)


6,291 notes
reblogged via steggerts
~ Friday, March 15 ~
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322 notes
reblogged via thewarriorsprayer
~ Wednesday, March 13 ~
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8 notes
reblogged via robotaverage
~ Monday, March 11 ~
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mrowsan:

Blue Cheer in a Codpiece: Hurdy Gurdy master Ethan James (RIP)

mrowsan:

Blue Cheer in a Codpiece: Hurdy Gurdy master Ethan James (RIP)


5 notes
reblogged via mrowsan